African Literary Metadata
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Information and administration

If you have any questions about the ALMEDA project, please feel free to contact us on almeda@uu.se.

You can find us at: Room 16-1065, Campus Engelska Parken, Uppsala University. (Click the room number to get directions)

Postal address: P.O. Box 527, 751 20 Uppsala, Sweden
Shipping address: Thunbergsvägen 3G, 752 38 Uppsala, Sweden

PI Ashleigh Harris

For any questions regarding the methods, activities and results of ALMEDA, please contact Ashleigh at ashleigh.harris@engelska.uu.se.

Room 16-1069, Campus Engelska Parken, Uppsala University. (Click the room number to get directions)

Street Preaching as Performance

ALMEDA in collaboration with the Centre of African Studies, Copenhagen University invites you to an online workshop on Thursday 4 September at 13:15 – 16:00 (Central European Summer Time). In this workshop scholars will discuss the implications approaching street preaching as performance and oral literary genre. Viewing publicly delivered sermons…

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Khangas as Print Literature

ALMEDA postdoctoral fellow, Gloria Ajami Makokha, presented a paper, “Digitizing Jina: Providing Visibility to The Khanga’s Oral Literary Messages”, at the International Society for the Oral Literatures of Africa (ISOLA) conference, held at the University of Abuja, Abuja, Nigeria, 9–12 July 2025. Makokha’s research project focuses on the ways in which the Khanga…

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Two new datasets: Staffrider and Lawino magazines

We have published two new datasets on our Zenodo platform that will interest anyone working on print and online literary magazines. The classic anti-apartheid South African magazine Staffrider includes around 1770 individual texts and was published between 1978 to 1993, while the Ugandan-based Lawino content is much more recent (2014-2015).…

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Theatre and Television in Côte d’Ivoire

In our new ALMEDA pamphlet, postdoctoral fellow Oulia Makkonen interviews Coffi Abdoul Karim, a producer of the Ivorian cultural programs Théâtre de chez nous and Ce soir au village. The interview is part of a larger exploration in Makkonen’s work of the theatrical scene and its relationship to television history in Côte d’Ivoire from the…

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